Monday, March 12, 2012

Self and Other: the Symbolic Relation of Women and Man


Self and Other: the Symbolic Relation of Women and Man
            One of the most challenging developments of the approach to ideology as a central concept in analyzing the relation between a literary or artistic work and its changing contexts has been provided by feminist critics. Feminist critics have in fact made a massive contribution to the contemporary challenge to the notion of a received literary canon. This paper deals on an issue 'self and other'; from Simone de Beauvoir's work The Second Sex. Symbolic relation of women to man is a particularly important aspect of Simone de Beauvoir's theorization because it is concerned with the relation of self and other, and thus with difference. It is a schema that is often taken to be the only possible conceptualization of the constitution of self, and so is often seen as posing a knotty problem, concerning feminine subjectivity.
            The main thesis of The Second Sex revolves around the idea that woman has been held in a relationship of long-standing oppression to man through her relegation to being man's "Other." In agreement with Hegelian and Sartrean philosophy, Beauvoir finds that the self needs otherness in order to define itself as a subject; the category of the otherness, therefore, is necessary in the constitution of the self as a self. However, the movement of self-understanding through alterity is supposed to be reciprocal in that the self is often just as much objectified by its other as the self objectifies it. What Beauvoir discovers in her multifaceted investigation into woman's situation, is that woman is consistently defined as the Other by man who takes on the role of the Self. As Beauvoir explains in her Introduction, woman "is the incidental, the inessential, as opposed to the essential. He is the Subject, he is the Absolute-she is the Other." In addition, Beauvoir maintains that human existence is an ambiguous interplay between transcendence and immanence, yet men have been privileged with expressing transcendence through projects, whereas women have been forced into the repetitive and uncreative life of immanence. Beauvoir thus proposes to investigate how this radically unequal relationship emerged as well as what structures, attitudes and presuppositions continue to maintain its social power.
            Beauvoir follows Hegel in presuming the fundamental necessity of the category of Other "through which, and in opposition to which, self consciousness is able to constitute itself" (Singer 231). This relation Singer says "is usually reciprocal, at least between men. The other ego, too, assumes the position of essential subject in opposition to what he constructs as the inessential other" (Singer 233). As Hegel puts it, self-consciousness exists "in and for itself … only in being acknowledged" (Hegel 178). This is possible even though this other is constructed as non-essential, because self-consciousness recognizes itself in the other.
            In the case of sexes, Beauvoir finds that the reciprocity posited by Hegel does not occur. Woman does not place herself wholly in the subject position in opposition to man, but, as Beauvoir makes clear, it is up to her to do so. As she says "it is not Other who, in defining himself as the Other, establishes the One. The Other is posed as such by the One in defining himself as the one" (Beauvoir 18). So, the fact that man sets woman up as his Other in order to pose his selfhood, his subjectivity, should not mean that woman must see herself as Other, but, rather, that she should pose him as Other in order to establish her own subjectivity. As Beauvoir says "If woman … never becomes the essential, it is because she herself fails to bring about this change" (Beauvoir 19).
            Hegel's story of self-consciousness/ self-becoming is not simply an innocuous game in which active and passive roles are interchanged. Rather, it is a drawn out and complex dialectical series of developments, in which each struggling protagonist "must seek the other's death" (Hegel 187). Beauvoir accepts and emphasizes this violent confrontation, saying for example that "we find in consciousness itself a fundamental hostility towards every other consciousness; the subject can only be posed in being opposed" (Beauvoir 17). Judith Butler describes this as "self-consciousness constituting its subjectivity through constant effort to assimilate external difference into itself" (Butler 6). Assimilation, a kind of devouring of the other, is, of course, a violent act.
            Beauvoir takes it to be a fundamental human characteristic that the women resist being enslaved through being objectified by the other, reflecting a need to be subject in control of one's own identity. It is notable that this understanding of the process of self-creation denies any primary role for the social world. Beauvoir begins her analysis with two individuals confronting each other in some primal world, empty of other human beings and of the effects of their presence. This raises the question of to what extent, and at what level of their construction, people are to be regarded as social beings.
            It is far from insignificant that Hegel's two protagonists are implicitly male and that women enter only into another, smaller, story. For Beauvoir herself accepts this depreciation of the feminine. So, for Hegel, the question of woman and her freedom of choice does not arise in the same context as self-consciousness' self-creation.
            Beauvoir agrees with Hegel, saying that while men relate to men in a mutual or reciprocal manner, men and women do not. "Thus, men, between themselves, have a mutual regard for the subjectivity of the other, but woman remains as absolute Other, and as property to be handed between men" (Beauvoir 102). "Man is dependent upon woman, but his dependence is more akin to a slave-owner's upon a slave, where the owner remains in control of the means of satisfying his own needs" (Butler 20). Woman, meanwhile, has no means of reciprocal recognition, the more so because women lack the concrete means of mutual recognition between themselves, because they " live dispersed among the males, attached through residence, housework, economic condition, and social standing to certain men … more firmly than they are to other women" (Butler 19).
            Hegel sees woman as created in different dialectical movement from that described above for man. Woman is seen as embodying a less advanced stage of consciousness, which is confined to the private, reproductive and bodily world of family life. For the women critics, here is the nether world of the particular, while man's public life, through his higher form of consciousness, "becomes existence and activity" (Butler 466). The public and private worlds are dependent each upon the other, the family dependent on the man for his organization of the world, and thus for its livelihood, and the man dependent on the family not only for reproduction.
            Beauvoir is agreeing that woman is indeed created as Hegel, and suggesting that this is what must be changed. She has a variation upon Hegel's story, and it is this that enables her to judge woman.
            Apart from the general objection to blaming the victim, there is another sense in which Beauvoir's statements is problematic, for taken to mean that it is the world that constructs woman, this is in conflict with her emphatic attribution of self-responsibility to woman. The result is a number of ambiguities as she tries to explain how woman has come into being. This is a severe problem, but Beauvoir deserves credit for wrestling with it. As Beauvoir admits, man is not really as independent of woman in his self-construction as Hegel indicates. Man needs woman as woman. This makes problematic the simple substitution of a person of the female sex into the primal confrontation between the two would-be subjects, yet this is what Beauvoir suggests is the solution to woman's dilemma.

Works Cited

Beauvoir, Simone de. The Second Sex. Harmondsworth: Penguin, 1975.
Butler, Judith. Subject of Desire:Hegelian Reflection in Twentieth Century France. New York:
Columbia University Press, 1987.
Hegel, G.W.F. Phenomenology of Spirit. Oxford: Clarendar Press, 1977.
Singer, Linda. "Women's Studies International Forum." Interpretation and Reerival (1985): 231-238.


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